© 2006 Ray Wong


Hollywood has long been in love with Frank Miller's graphic novels, from RoboCop to Sin City. His 300 takes us back more than two thousand years to the Battle of Thermopylae in 480 B.C. In truth, this is more of a fantasy than a historical drama.

aAs the narrator begins the story, King Leonidas (Butler), like all the kings before him, has been bred and raised as soldiers, the best of the best to represent the military state of Sparta. He and his queen, Gorgo (Headey) enjoy the beauty and the peace of their land with their son until the Persian king, Xerxes (Santoro) rages a war against Sparta and all of Greece.

bLeonidas wants to lead his troops to fight off the invaders, but according to Spartan laws, he must obtain the blessing from the Ephors. Little does he know, politician Theron (West) has corrupted them. Not to be discouraged, Leonidas recruits 300 of his finest warriors, each have at least a son to replace them, on a suicide mission to hold off the Persian army while Gorgo tries to persuade the council to send a pan-Greek army to their aid.

cLeonidas' 300 Spartans clearly are outnumbered by Xerxes' 100,000-strong army. But they find a way to fend off the Persians for as long as they can, by guarding the mountain pass of Thermopylae. Xerxes gives Leonidas ten days to surrender, or he threatens to slaughter the Spartans. The 300 Spartans are joined by about 700 Thespians and slave soldiers, and they fight bravely, killing thousands of Persian soldiers, and holding the pass for three days. Unfortunately, a local shepherd, Ephialtes (Tierman), betrays Leonidas by showing Xerxes an alternate path around Thermopylae. The Spartans fight till their last breaths and their sacrifices inspire the rest of Greece to band together to later defeat the Persians.

dGerard Butler (The Phantom of the Opera) has transformed himself physically and mentally to play the fearless King Leonidas. His presence dominates the film, and his characterization is larger than life. Yet he shows great tenderness toward his queen and son. Butler shows a good range without relying on a pedestrian portrayal of a warrior hero. As Queen Gorgo, Lena Headey (Imagine Me & You) is a worthy counterpart to Butler. They share wonderful chemistry, and it's gratifying to see a strong female character in a male-dominated story.

eAs Theron, Dominic West (The Forgotten) plays a through-and-through bad guy with gusto. Too bad his character is really one-dimensional. Vincent Regan (Troy) is admirable as the heroic Captain. David Wenham (The Lord of the Rings) seems a bit weak as fellow Spartan Dilios, but redeems himself as the story's narrator. Andrew Tierman (Murphy's Law) dons heavy prosthetics and makeup to play Ephialtes, and his performance is one of the more layered in the film. And Rodrigo Santoro (Love Actually) is almost unrecognizable as Xerxes, effusing a cold arrogance that is fit for a king. Also, they all earn kudos for working so hard to build those spectacular pecs and abs, and for being brave enough to show up in nothing more than red capes and leather briefs.

fThe script and storyboard by Zack Snyder, Kurt Johnstad and Michael Gordon follows Frank Miller's graphic novel closely. The storytelling is rather straightforward, with over-the-top narration and on the nose dialogue. Except for the tortured soul Ephialtes, good and evil are clearly defined. gThe story has a surreal fantasy feel to it, and the characters are all larger-than-life with no ambiguity. It seems that the writers are determined to create some catch phrases ("We are SPARTANS!" Leonidas proclaims before kicking a Persian messenger off into a well), which generally work very well for the genre. They have done a good job creating a fluid storyline with Queen Gorgo's subplot as a counterbalance. That creates good tension and drama, even though we all know the story and the ending so well. Unfortunately, the story is a bit thin over all, so it drags in places and some of the action feels somewhat repetitious.

hZack Snyder (Dawn of the Dead) compensates with a stunning visual style that gives the film a surreal, fantastical look. Even though it's based on historical events, 300 is made as a fantasy. Except for the actors, their costumes and the props, almost everything else is created by CG, which has created a lush, dream-like world in sepia tone. The monochromatic color scheme might get a little tiring after a while, but Synder should be commended for creating a consistent, and mostly stunning vision. Every frame is beautifully constructed, and many scenes work like a Frank Frazetta's painting set in motion.

iObviously, Snyder and company know who their audiences are. The film is overripe with testosterone, especially with the heavy metal soundtrack. The battle scenes are well-choreographed and rendered, and the stylized violence, gore, and dismemberments are oddly pleasing (at least aesthetically). Yet the females get to have their beefcakes, too. jIf you're looking for something deeper and better rounded, this might not be for you. And those who have been spoiled by Lord of the Rings may not find this movie all that impressive. However, historical accuracies and lack of character development aside, 300 is a spectacle that should appeal to fans of graphic novels and fantasies.

Stars: Gerard Butler, Lena Headey, Dominic West, David Wenham, Vincent Regan, Michael Fassbender, Andrew Tierman, Rodrigo Santoro
Director: Zack Snyder
Writers: Zack Snyder, Kurt Johnstad, Michael Gordon (based on graphic novel by Frank Miller and Lynn Varley)
Distributor: Warner Bros
MPAA Rating: R for graphic violence, battle sequences, sexuality and nudity
Running Time: 117 Minutes


Script – 6
Performance – 7
Direction – 8
Cinematography – 9
Music/Sound– 7
Editing – 7
Production – 9

Total – 7.3 out of 10

1 comment:

Phillip said...

RoboCop was not based on a Frank Miller graphic novel, but many of its elements were evidently inspired by his work on his book Batman: The Dark Knight Returns. However, he was hired to work on the scripts for the second and third RoboCop films, and was rewritten to his disatisfaction.